JournalThe In-Between Season

The In-Between Season

Photo by D R on Unsplash

The In-Between Season

By Savannah Dodge · September 18, 2026 · 4 min read

There is a specific quality to the air right now that does not have a name. It is not summer and it is not fall. The days are still warm enough to eat outside, to leave the windows open through the afternoon, to feel the sun on your arms and believe, briefly, that nothing has changed. But by eight o'clock the temperature drops fifteen degrees, and you reach for the first blanket of the season without thinking about it.

This is my favorite time of year. Not for what it is but for what it contains, both things at once. The last of the warmth and the first of the cool. The garden still producing and the leaves just beginning to consider their exit. The light at four in the afternoon already different from what it was in July, lower and more golden, landing on surfaces at angles that make ordinary rooms look like paintings.

I notice it first outside. The mornings have that particular crispness that smells like earth and wet leaves. Oakley (my 11-year-old boxer mix) notices it too; he stays out longer, moves slower, and takes the long route around the house. Dogs understand seasons in a way that humans have mostly forgotten how to. He is not mourning summer or anticipating winter. He is exactly here, in this, taking it all in.

Inside, the shift is subtler but just as real. The rooms I use change. The living room, which spent the summer as a place to pass through on the way to the porch, becomes somewhere to stay again. The couch that felt too warm in August feels exactly right now. I find myself closing fewer doors and opening different ones, the ones that face south, that hold the afternoon light longest, that let the cool air in without letting the warmth out entirely.

The kitchen becomes the center of the house again in this season. There is something about the drop in temperature that makes cooking feel like a pleasure rather than a chore. A pot of something on the stove, the windows fogged slightly, the smell of garlic and olive oil and whatever is left in the garden filling the room. Summer kitchens are about what you can make without heating the house. Fall kitchens are about warmth as a byproduct of nourishment, and there is a particular satisfaction in that that July simply cannot offer.

The light is doing something different every day now. In summer the light is confident and even, flooding rooms from high angles and lasting until nine at night. In this in-between season it is more specific. It enters from lower, catches dust motes and the grain of wood floors and the texture of plaster walls in ways that summer light moves past too quickly to reveal. Rooms that felt flat in July have depth now. The same space, different light.

There is a layering instinct that arrives with this season that I find impossible to resist. The first throw over the arm of the sofa. The candle that gets lit earlier and stays lit longer. The rug that was rolled up in June gets unrolled and the room immediately makes more sense. These are not decorating decisions. They are a response to something real, the body's desire for enclosure and warmth as the world outside begins its long exhale toward winter.

What this season teaches me about design, every year without fail, is that the best homes are not designed for one temperature or one quality of light. They are designed for all of them. For the way a room needs to feel in the flat bright heat of August and the way it needs to feel on an October night when the fire is going. The homes that make that transition gracefully are the ones where the materiality was chosen with weight in mind, where the lighting was layered rather than flat, where there is a fireplace or a wood stove in the room where the family actually gathers. Where the architecture understood that we do not live in a single season and designed accordingly.

The in-between days will not last long. They never do. But they are worth paying attention to, because they reveal something about what a home needs to be that the extremes of summer and winter obscure. The homes that feel best right now are the ones that were built for the open window and the blanket out at the same time, for the light that catches the grain of the floor at four in the afternoon, for the kitchen that smells like something good and the room that holds you.

That is the whole point, really. A home that holds you in every season. Not just when the conditions are easy.

Love, Sav

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Savannah Dodge

From the Studio

Savannah Dodge

Savannah Dodge is the Chief Executive Officer and Principal Designer of Curio Studio. She earned her BFA in Interior Design from the New England School of Art & Design at Suffolk University and brings over a decade of experience designing thoughtful, layered homes.

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